I took some of the visual research, setting inspiration and portfolio guidance from Fall 2023 and Spring 2024 classwork to start developing my revised capstone idea. At first, I developed ideation and sketches for a proposed three-to-four-minute animated short film. The story being adapted was focused on the blossoming friendship between two teenage girls in their Southeastern hometown. However, I did not have much experience with creating longer animations or using the frame-by-frame animation software that would have achieved my preferred visual style. I decided that a series pitch packet proposing the visual style for a longer story would tell my idea better and lay the groundwork for adapting it to a pilot episode in the future as a personal project to tackle. For my pitch packet I planned to develop 10 spec episodes, create four-to-five-character turnaround sheets for my cast, design two interior and two exterior background environments, design incidental props and additional elements and package all of the artwork in multi-page layout software like InDesign. I did research on locations and natural environments of Southeast Georgia such as the Altamaha River, Lewis Island and the Okefenokee Swamp to craft my setting in the Deep South.
This is my Capstone film project, Apple Antics, created for the Master of Art and Design program. The story follows Cabbage, a young fruit owl, who unsuccessfully tries to knock an apple from a tree while careful not to wake the sleeping entity within a nearby log. I wanted this project to be stylistically different from my usual look to give my portfolio more diversity. This added a fun challenge for myself, on top of the fact that I had never used TVPaint before. The film was created using TVPaint Pro, Adobe After Effects, Procreate, and Audacity. My project has a runtime of just over 4 minutes, an aspect ratio of 16:9, and was completed in one school year.
For this film I was a co-director, alongside fellow animator Adam Jonshon, and hired by fellow ²ÝÁñÊÓƵ student, Nya Roden (who also served as the director for the short). This film was an experience on learning to work with a team and all the responsibilities that came with it. I had never led a team of animators before, so adapting to the creation of meeting days, assigning work, and scheduling deadlines was a new but welcoming experience. The director, Nya, had written a poem celebrating the creation of Rashida's Law and wanted to spread the joy she felt into an animated format. My main mission was to convey the message that our director wanted to share with the world. That all Moroccan kids, no matter the parent or heritage, are Moroccan and should feel comfortable within themselves. We wanted to portray that love and confidence into a blanket/flag the main characters would receive from their mothers and wear to signify their growing spirit and determination. Afterall, what's more comforting to a child than feeling their mothers love wrapping around them like a blanket.
Dorian McIntyre
I have always been fascinated with stories. I always enjoyed meshing my writing with more artistic pursuits and had the wise idea to make my stories into graphic novels. Bright color palettes, flora, and unique people are some of my favorite things to render so I seek out creating stories in fictional towns full of bright colors and lush flora. I had the idea to make an ice cream truck, but to make it more compelling, I created an ice cream truck that travels intergalactically. It sells some of the most exotic flavors, like Schelpel Berry Flavor, from a Schelpel tree native to the Aethorian nation 22 light years away. This ice cream truck gets robbed regularly, as these flavors are hard to find, and all the rage in the galaxy. During my time at the ²ÝÁñÊÓƵ State MAAD Program, I got the chance to create many unique stories and master the skills needed to flesh out and expand the visual development and make a viable product for consumption by people who love animation and storytelling.
My experience in the ²ÝÁñÊÓƵ State University MAAD in digital animation program of 2023-2024 has been an unforgettable experience. Through my different classes, I was able to experiment with character animation, cinematic angles, FX animation, and many more elements that ultimately led to the development of my final Capstone project, Precious Fallacies (2024). In this project, I used a 2D frame-by-frame improvisational way of animation to develop my animated music video, which featured my own original song, sang by Maurice Clermont Jr., and an original music composition created by myself as well. The full film is part of a personal project that I am still currently developing, so make sure to check out my social media accounts for more updates on Precious Fallacies! Here, I also provide the demo reel of many works completed throughout my time with ²ÝÁñÊÓƵ. I am very thankful for the guidance and support from Sandee Chamberlain and Craig Brasco, my two greatest mentors throughout this program. Thank you, ²ÝÁñÊÓƵ!
Critterland: Stickers Project Abstract: My project is a 3-4 minute short film called Critterland: Stickers. This film is done in a 2d cut out style of animation, with fully rigged 2d characters set in a world by the same name, Critterland. This short film is a prequel to a larger world and possible web series that both aim to follow the main character, a very friendly anthropomorphic snail named Sniall, and his adventures in a world populated by many other invertebrates. Critterland: Stickers aims to tackle the difficult topic of growing up, and the fears surrounding transitioning to a new life stage. In this world, Snails are born with pale, weak shells, and part of growing up involves visiting a special waterfall that gives their shell its final colors- unfortunately also covering up any decorations they may have put on it during their childhood. Sniall, the main character, has dedicated a lot of time to collecting special, sentimental decorations on his shell from his friends. Now, he must confront the possibility of covering it all up forever, a dilemma that represents the fear of losing your childhood and the things you love—simply because you’re growing up
Little Mouse and the Mysterious Gift is a Christmas themed rock opera animated in paper cut-out silhouette stop-motion animation. The work draws on historical traditions of silhouette and chiyogami animation as well as shadow puppetry and children’s literature. The images were shot in Dragon Frame using canon DSLR cameras, vintage Nikon prime lenses and a variety of commercial and improvised filters. Editing was done in Adobe Premiere Pro. The ten-song series will be available on YouTube in November of this year and the companion picture book is available on Amazon.